About

I’ve been part of the audiovisual world since 2009, and since 2018, I’ve devoted myself fully to cinematography. Over time, I’ve come to see light not just as a technical element, but as something alive something that breathes, feels, and speaks. I’m drawn to its natural behavior, to how it gently reveals or hides, how it shapes truth. My approach is sober, but always sincere. I don’t try to control light I listen to it, and let it guide the emotion of each frame.

Framing, to me, is just as essential. It’s where vision becomes language. The frame is not just what’s seen it’s what’s felt. I believe every story begins with a way of seeing. That’s why my gaze is particular: how I see is how I frame, and how I frame is how I tell. The act of choosing what to include and what to leave out is where storytelling begins.

Throughout the years, I’ve worked on a wide range of projects some big, some small with all kinds of budgets, teams, and challenges. And in each one, I’ve discovered the same truth: film is deeply human. The more empathetic we are as filmmakers, the more powerful our stories become. I carry that belief into every collaboration, striving not just to create beautiful images, but to honor the emotional core of every piece.

For me, cinematography isn’t just about capturing it’s about feeling, interpreting, and translating what’s invisible into something you can hold with your eyes. Light and frame are my tools, but emotion is always my guide.